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Decorative lamp post. Le Nouvel Opéra de Paris, Bronzes, No. 4
Albumen print, 1870s
Tonality 8/10, minor foxing.; 360 x 128 mm., mounted
$900.
  
Le Nouvel Opéra de Paris, Sculpture Ornementale, No. 15
Albumen print, c. 1870s
10/10; 381 x 178 mm, mounted
$2850.

'These large-format albumen prints [c. 1864-1869] enable the viewer to follow the progress of architect Charles Garnier's lavish Opera. Remarkable for their wealth of informational detail, the photographs are a milestone in the use of the medium for extended architectural documentation. They also provide a crucial stylistic link between the work of earlier French urban photographers, such as Charles Marville and Edouard Baldus, and the later photographs of Eugene Atget.' C. Phillips, International Center for Photography, 2001.
  
Le Nouvel Opéra de Paris, Sculpture Ornementale, No. 24
Albumen print, c. 1870s
10/10; 212 x 277 mm, mounted
$1750.

'These large-format albumen prints [c. 1864-1869] enable the viewer to follow the progress of architect Charles Garnier's lavish Opera. Remarkable for their wealth of informational detail, the photographs are a milestone in the use of the medium for extended architectural documentation. They also provide a crucial stylistic link between the work of earlier French urban photographers, such as Charles Marville and Edouard Baldus, and the later photographs of Eugene Atget.' C. Phillips, International Center for Photography, 2001.
  
Le Nouvel Opéra de Paris, Sculpture Ornementale, No. 34
Albumen print, 1870s
Tonality- 8-9/10.; 280 x 386 mm., mounted
$3000.

'These large-format albumen prints [c. 1864-1869] enable the viewer to follow the progress of architect Charles Garnier's lavish Opera. Remarkable for their wealth of informational detail, the photographs are a milestone in the use of the medium for extended architectural documentation. They also provide a crucial stylistic link between the work of earlier French urban photographers, such as Charles Marville and Edouard Baldus, and the later photographs of Eugene Atget.'
C. Phillips, International Center for Photography, 2001
  
Le Nouvel Opéra de Paris, Sculpture Ornementale, No. 35
Albumen print, 1870s
10/10; 207 x 278 mm, mounted
$SOLD

'These large-format albumen prints [c. 1864-1869] enable the viewer to follow the progress of architect Charles Garnier's lavish Opera. Remarkable for their wealth of informational detail, the photographs are a milestone in the use of the medium for extended architectural documentation. They also provide a crucial stylistic link between the work of earlier French urban photographers, such as Charles Marville and Edouard Baldus, and the later photographs of Eugene Atget.' C. Phillips, International Center for Photography, 2001
  
Le Nouvel Opéra de Paris, Sculpture Ornementale, No. 7
Albumen print, c. 1870s
10/10; 209 x 273 mm, mounted
$1250.

‘These large-format albumen prints [c. 1864-1869] enable the viewer to follow the progress of architect Charles Garnier's lavish Opera. Remarkable for their wealth of informational detail, the photographs are a milestone in the use of the medium for extended architectural documentation. They also provide a crucial stylistic link between the work of earlier French urban photographers, such as Charles Marville and Edouard Baldus, and the later photographs of Eugene Atget.' C. Phillips, International Center for Photography, 2001.